the Paradoxy Persuasion Play
29th June 2010
“Which is it? Is man only God’s mistake or God only man’s mistake?”
from Twilight of the Idols, Maxims and Arrows, Number 7.
Thus spoke Nietzsche, revealing to those with eyes behind eyes, a fabulous persuasion tactic, I coin up as Paradoxy.
Paradoxy takes three terms – in Nietzsche’s case, God, man, and mistakes – and poses them in linguistic opposition. Two concepts must share overlapping meaning (God and man) and the third term takes a critical stance (mistake) that forces you to determine whether and how A -> B or B -> A best fits the critical stance.
Let’s play with Paradoxy.
Beautiful: Do you wear Versace or does Versace wear you?
Faithful: Do you follow Osama or does Osama follow you?
Trivial: Steve paradoxes Nietzsche or Nietzsche paradoxes Steve?
Paradoxy generally functions as a WATTage switch. Paradoxy makes the target think more about the message and also provides a bias in a particular direction. For example, Nietzsche’s Paradoxy makes you think more about God and man, but from the bias of Mistake.
Of course, to a persistent Low WATT processor, a Paradoxy may nicely function as a Cue with that critical stance term, Nietzsche’s Mistake in our running example, pointing to the “correct” take on God and man. You don’t have to think about the conceptual relationship between God and man or which came first or whether the whole thing is altogether foolish; you need only know that it is a Mistake!
Paradoxy could also function as an Argument. A well done Paradoxy requires a bright mind and a clever facility with language. People who can create more and better Paradoxy’s are certainly providing crucial information about verbal intelligence. Thus, the quantity and quality of Paradoxy is an Argument.
So, my new play, Paradoxy, functions as either a WATTage switch, an Argument, or a Cue depending on prespecified conditions. Most commonly, Paradoxy will function as the WATTage switch with just a bit of Bias.
Paradoxy is similar to rhetorical questions. It’s a linguistic variable that performs a persuasion function. With rhetorical questions, let’s make sure we know the terminology.
A rhetorical question is an utterance that is a statement, but looks like a question. A rhetorical is a polite way of making a claim without appearing to take a stand.
People who study longer get better grades, don’t they?
Persuasion blogs build character, don’t they?
He’s made his point, hasn’t he?
What provides the persuasion force with both rhetorical questions and Paradoxy is their linguistic attribute. They force us to use language in a way that affects persuasive processing.
Of course, Nietzsche is neither the first nor the last paradoxy trickster. Paradoxy, properly dressed, is in the Dialectic clan, which shows Socrates, Hegel, and Marx in the family picture.
Let’s get out of here on this Paradoxy.
Origins: philosophy makes persuasion or persuasion makes philosophy?


